PAUL: A FRIEND OF thE FAMILY

    quot;IS t t; Paul asked indicating t;It is a ne finisoday, still a little  Im afraid.quot; rousers. quot;Ill just lean it up against your .quot; Paul leaned t our . ty great banality in  t;Interesting,quot; ;Its poor,quot; Sno;Poor, poor.quot; quot;Yes,quot; Paul said, quot;one of my poorer t; quot;Not so poor of course as yesterdays, poorer on t; s;Yes,quot; Paul said, quot;it ies of poorness.quot; quot;Especially poor in t-; s;Yes,quot; Paul said, quot;I o  into tplace.quot; quot;tting poorer,quot; s;Poorer and poorer,quot; Paul said isfaction, quot;descending to unexplored deptelligence ; quot;I find it extremely interesting as a social p; Sno;to note t during t of ract expressionism, action painting and so fort artists ogeted in an image alone. t, I find -- and I t ing, is an apt description, alt leaves out a lot, but I find it very interesting t in t feremendous ne kno to comment on t, but I find it extremely interesting t you,  founders of t sc a sc; quot;I ; Paul said. quot;Sublimely poor,quot; s;all-paper,quot; rudged to bed to-bed song ;ainly a egrated personality, Paul,quot; s;Yes,quot; ;act, you must grant .quot; quot;Yes,quot; ;A beautiful ; quot;Carrying t muc; ;e are fortunate to ry,quot; she concluded.

    t over to Pauls place and took typeer. to find somebody to sell it to. It ti 22, t typeer, and typeer girls put it under ts. ted to e somet s. I t ed to get under t tting ting ; are you going to e under t; quot;I t peromatic ing, because one cant see so rangled by toucype  see to t t. . .quot; quot;ell  sell typeer if youre typing on it under Amelias legs, so come out of too because t  t. Not no; e all ypeer   pure grotto, Pauls place, and tomorroo go take tor cage time, so t  come doo treet any more, ensions.

    quot;YES,quot; Bill said, quot;I ed to be great, once. But t  in my sky, to make a poatement. But to make a poatement, coupled  t, per in ter dinner, in tain diffidence still clings to tters. You laugting in your cacles, your iced tea. I o make a significant contribution. But tony-faced. Did I make a mistake, selecting Bridgeport? I o bring about a ened ao t oil, Band-Aids, Saran rap. My census of tears ill incomplete. ed Bridgeport, city of concealed meaning? In Calais treet corners, under trees, in ted to provide a definitive account. But my lecture  a success. Men came to fold till speaking. You laugalk about terested in, you said. I ed to acrating study o erly evocation, sobs and cries, tter. I iating a multi-faceted program involving paper toears. I came into t of sighe pillow.

    quot;  is under the pillow? I asked.

    quot; Nothing, you said.

    quot;I reac. An alarm clock spread to go. My survey of ty of ty of Bridgeport  informed, you said, by too little compassion. You laugograpures of people ed to effect a rapproc, I ed to reconcile irreconcilable forces.  is t? t is an y of Bridgeport, salt tears in a little bottle. I ed to engage in a meaningful dialogue, but tacted ion ers for measuring tance of tion. My life-enricious, as you predicted. I ed to substantiate an unsubstantiated report, I listened to to make suitable arrangements but t to arrange did not appear on ted day. ter-marcic League. I o make a far-reacion. I , but t   udents remember, you said.quot;