I ting in my brand-neler building, surrounded by steel of y folded at ninety-degree angles. ttier ted brigold em I ed a big door. A big door in front o evade t-poison salesman. You ever been out -poison salesman? ttle red eyes.
I y-t overraveling crane epladder a lo. Id been t bread, colored steel bread, all kinds of colors of steel bread -- red yelloeel bread -- t no, ts not it. And Id already made all teel four-tice t let me drink no more, only a little Lone Star beer no mucc, crack crack crack across t ive people reac in order not to totally e time of my life, I ter get on tick and bust Constanze out of the seraglio.
Chorus:
Oanze oanze
you doin in t se-rag-li-o?
I been poppin Darvon and mothballs
Poppin Darvon and mothballs
Ever since I let you go.
ell, I motored out to t blindsided on to get t-poison factories, all the-road song
rollin
rollin
rollin
rollin
but t just a of actual forion despite to possibility. turned out to be a Butler building too, mucer of course, t son of a bitc a little ed steel t you can put toget of a catalogue and set eak from t big doors in one little tee-ninesy door ure of an unfed-recently Doberman pasted on it, I took t as a and I t Constanze, Constanze, how could you be so dumb?
te to admit it, Constanzes a little dumb. S so dumb as a lady I once kne s perfect. You tell t to t for a moment, ive. Im some kind of an artist, but Im conservative. Mine is t of t many years as a talented and elegant country-music groupie. S knoed it, I . Its a small t irritating. S she knows, if you follow me.
Chorus:
Oanze oanze
you doin in t se-rag-li-o?
I been sleepin on paper towels
Sleepin on paper towels and
Drinkin Sea amp; Ski
Ever since I let you go.
tually. erious pos ty is four eel artic rigudio, iciful form, maybe too mannerly, I rougs is. I dont even mind t stand is a dealer. In anyt t its been earned. Anyiced t Constanze iful, in fact semi-incredible looking, urned o be said. to t of flank steak, and . If compete. (In all y I o concede t s.) ler building just to mock me and because s so dumb s dead in a big fancy layout in River Oaks or somerying to suggest is, se relation to the real.
I cant understand t. ying sakes care to dance ruck me at first glance as terrible tion to texas Observer every year. Sributes regularly to ted ay and got gassed in great cities a time or t-poison salesmen. Sook care of me t time I tle psycic episode. S. Once I sa, to me, is t be the real one.
ell, I opened t me raging and snarling and generally carrying on in t ed of y-five-pound reinforced-concrete pork co Constanze. e used to reet togetogeted to float in t. It didnt I guess, as tects say, t marble. Sedly move on and up and doemple, texas, making everytter t ime. e adventured. ts not bad.
Chorus:
Oanze oanze
you doin in t se-rag-li-o?
how I miss you
how I miss you